Komentář ze dne: 25.03.2022 09:24:13
Autor: Qke461 (mckinley1l@lycos.com) Titulek: dqNUELQzUL
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Those instruments can be fierce and
noisy, but in a jazz context they tend
to be typecast as
“feminine.” This set
didn’t altogether escape that
danger, even with the characterful
playing of saxophonist Konrad
Wiszniewski pulling strongly in the
other direction. Some of the pieces had
a nostalgic whiff of Forties film
scores, such as Fauré (I may have
misheard that title, but it would be apt
for such a French-flavoured piece). The
group ventured into a darker more
overtly jazz-like idiom too, anchored
around anxiously circling bass patterns,
and I wasn’t sure the two
worlds quite joined up.
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